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X-WR-CALDESC:Events for Vernon Public Art Gallery
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SUMMARY:Through Our Eyes
DESCRIPTION:Teen Junction\n\n\n\nUp-front GalleryMay 29 – July 29\, 2026 \n\n\n\nOpening Reception: May 28 from 6 to 8 pm \n\n\n\nhrough Our Eyes is an exhibition of artwork by youth from BGC Okanagan’s Teen Junction Youth Program. For years\, Teen Junction and the Vernon Public Art Gallery have collaborated to create space for the voices and experiences of Vernon’s youth to be shared through art. \n\n\n\nTeen Junction is a dynamic\, low-barrier environment where youth are welcomed\, supported\, and encouraged to build confidence\, develop relationships\, and explore creative expression. The works presented in Through Our Eyes reflect the importance of these spaces\, demonstrating how art can become a powerful tool for self-expression\, communication\, and connection. \n\n\n\nThis year’s exhibition explores the contrast between how youth feel they are perceived by society and how they truly see themselves. Through drawing\, painting\, mixed media\, and personal storytelling\, the artists challenge assumptions\, share lived experiences\, and reclaim their own narratives with honesty and vulnerability. Together\, the works invite viewers to look beyond stereotypes and encounter these young people through a lens of resilience\, individuality\, and humanity. \n\n\n\nSpecial thanks to the staff and mentors at BGC Okanagan for the care\, encouragement\, and support they provide to youth in our community\, and to Sara Isaac\, whose dedication and leadership continue to guide and shape this exhibition each year. 
URL:https://vernonpublicartgallery.com/event/throughoureyes-2026
CATEGORIES:2026,Exhibitions
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DTSTART;TZID=America/Vancouver:20260626T100000
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SUMMARY:MEA Auction Preview
DESCRIPTION:Community GalleryJune 25 – July 11\, 2026 \n\n\n\nOpening Reception: June 25 from 6 to 8 pm \n\n\n\nThe MEA Auction Preview offers a first look at the full collection of artworks generously donated by local and regional artists in support of the Vernon Public Art Gallery’s annual MEA fundraising auction. \n\n\n\nInstalled in the gallery throughout the month leading up to the event\, this exhibition invites visitors to experience the artworks in person\, explore a wide range of creative practices\, and learn more about the participating artists. Whether you’re a seasoned collector or a first-time bidder\, the preview provides the perfect opportunity to plan your bids in advance and support the arts in your community. \n\n\n\nDon’t miss this chance to discover new artists\, connect with the gallery\, and help ensure the continued success of one of VPAG’s most important fundraising events of the year!
URL:https://vernonpublicartgallery.com/event/mea-auction-preview
CATEGORIES:2026,Exhibitions
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DTSTART;TZID=America/Vancouver:20260807T100000
DTEND;TZID=America/Vancouver:20261010T160000
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SUMMARY:Opera Obscura
DESCRIPTION:Mary Kavanagh\n\n\n\nCaroline Galbraith GalleryAugust 7 – October 10\, 2026 \n\n\n\nOpera Obscura is a large-scale installation by Canadian artist Mary Kavanagh. For nearly three decades\, Kavanagh has examined archives\, memory\, and sites where knowledge is classified\, withheld\, or at risk of disappearing — through an art practice consistently attentive to material evidence linked to histories and territories. In this new work\, she turns her attention to one of the defining institutions of civic life: the library. At the exhibition’s centre are approximately 2\,000 deaccessioned books sourced from the annual collection review of the University of Lethbridge Library. Spanning disciplines\, languages\, and eras\, each volume has been individually hand-inked to black and arranged in a dense gridded field. Serial and austere\, the installation evokes both catalogue and cenotaph. Gilded titles\, embossed surfaces\, library markings\, and traces of use remain partially visible beneath layers of ink — a tension between erasure and preservation extended through a companion series of black-on-black photographs\, where individual volumes are isolated\, lit\, and slowly disclosed.The project investigates the library as a site of cultural negotiation — an institution through which knowledge is ordered\, preserved\, overwritten\, and lost. Blackening becomes a form of witnessing — of sitting with what Walter Benjamin describes as the collector’s bind: that books do not belong to us so much as we belong to them\, inhabited by what we have gathered.¹ Drawing on Hannah Arendt’s argument that attention is itself a civic act\, Opera Obscura gives loss a body and registers its weight.² The work reflects on the incremental transformations reshaping public institutions — technological change\, economic pressure\, shifting political priorities — that quietly alter the conditions through which knowledge circulates and endures. Opera — from the Latin opus: work\, labour\, effort; its plural form suggesting not a single work but a body of works\, the cumulative product of sustained human toil. Obscura — from obscurus: dark\, hidden\, withdrawn — names both a material condition and a state of disappearance. The title carries an echo of camera obscura\, where darkness becomes the condition of seeing — a logic extended through the photographic series\, where blackened surfaces yield rather than withhold.  Monumental in scale and elegiac in tone\, the project registers the slow erosion of the material record\, the institutions entrusted with its keeping\, and the accelerating political forces that now threaten both. \n\n\n\n\n\n\n\n¹ Walter Benjamin\, “Unpacking My Library\,” in Illuminations\, trans. Harry Zohn (New York: Schocken Books\, 1969)\, 59–67. Originally published 1931.² Hannah Arendt\, Men in Dark Times (New York: Harcourt\, Brace & World\, 1968). \n\n\n\n\n\n\n			\n				\n			\n		Black Book Study 01a (covers) | Agrippa von Nettesheim\, Heinrich Cornelius. Opera. 2 vols. Facsimile reprint of Lyon: per Beringos fratres\, [c. 1580]. With an introduction by Richard H. Popkin. Hildesheim and New York: Georg Olms Verlag\, 1970. Deaccessioned from the University of Lethbridge Library\, 2025.\n\n\n\n\n\n\n			\n				\n			\n		Black Book Study 01b (interior pages fan) | Agrippa von Nettesheim\, Heinrich Cornelius. Opera. 2 vols. Facsimile reprint of Lyon: per Beringos fratres\, [c. 1580]. With an introduction by Richard H. Popkin. Hildesheim and New York: Georg Olms Verlag\, 1970. Deaccessioned from the University of Lethbridge Library\, 2025.
URL:https://vernonpublicartgallery.com/event/opera-obscura
CATEGORIES:2026,Exhibitions
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